Slipping

When I started writing down the pattern for Riva, the stash-buster scarf, I thought it would take a few days. After all it’s a simple idea; I did not expect it to take too long. But a string of unexpected social engagements, a nasty intestinal bug, some web work from an old client… and here I am two weeks later without a finished pattern. To be honest I did make some progress. In fact I should have a finished first draft tomorrow or Friday and then I will send it off to a couple of friends who will give me honest feedback and, I hope, spot the unavoidable lapses and oversights of the beginner. After that I am thinking of submitting the pattern to the Free Testers group on Ravelry before publication. The only reason I am posting about this is to force myself to keep to a deadline — will the threat of public shame do the trick? Talking about sticking to a plan, I just read a post by Cornflower about how she plans to finish a languishing project by knitting two rounds a day for the next several months. One of her readers commented by offering to sponsor her if she finishes the project (a scarf) by an earlier date, and I thought what a great concept: sponsorship to beat procrastination. Maybe I can convince Ben to take me out to dinner if I finish this tomorrow. Are you reading this, Ben? It might also help to talk about the reasons I am having a hard time getting this pattern out the door. It’s a first. I have to figure out everything for the first time: what to include, what to leave out, how to structure it, how to phrase things, design the layout, get better photographs, chart the

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stitch patterns, make the software do what I want it to, and so on. Even though I worked as a web designer for many years, I’ve never really used Illustrator much and even less InDesign. Most of what I did was in Photoshop and code, so this is new territory and I have to figure out the what and the how at the same time. So I keep finding faults with everything I do: the color doesn’t print out right, the instructions are too verbose, no one will want to do multiple cast-ons (I must be out of my mind!), the design sucks. I shouldn’t be blogging. Back to my layout. Oh, wait, no photos? I can’t bear to post without pictures (what does that say about me?) There. Just to show you that not everybody in this household is a stress ball.

Kelvin and the birds

Kelvin

Pipie and the birds

Pipie

Friends & Goodies

This week I met OlgaJazzy here in Los Angeles where she has been visiting following the earthquake in Japan. Today and tomorrow she is having a trunk show and book signing at Wild Fiber for her book Ori Ami Knits. Olga was the one who sent me an invitation to Ravelry in the very early days, and I am glad that I finally had the chance to meet her in person. It was a fun day and I wish I hadn’t left my camera in the car. Maybe there will be a next time. On other knitterly news, I received some goodies from Quince & Co., a small yarn company in Portland, Maine.

Goodies from Quince & Co.

Goodies from Quince & Co.

I ordered one skein each of three of their yarns — Chickadee, Tern, and Sparrow — plus their color card.
Quince & Co. color card

Quince & Co. color card

Last night I made a few swatches with Chickadee, an all American wool that feels very soft and bouncy, quite a change after knitting for the past few months with Holst Garn Supersoft, which fulls up only after washing. My first swatches surprised me because Chickadee shows every little unevenness and seems a lot less forgiving than the yarns I am used to. It’s possible that I was particularly inconsistent in my knitting and I also let the swatches soak only five minutes instead of the customary half hour, so I have to knit more with this yarn to know for sure how it fares.
Quince & Co. color card

Quince & Co. color card

Tern is a fingering weight yarn, 75% wool and 25% silk, that feels very much like

Chickadee in terms of softness and I would not have guessed the silk content by looking at it and touching it. I’ll try it out this weekend.

Chickadee swatches

Chickadee swatches

Sparrow is an organic linen spun in Italy from linen grown in Belgium. It looks beautiful and I had to get a skein even though I have no project in mind and I know that I don’t enjoy knitting with linen because of its lack of elasticity. What

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Tern and Sparrow

Tern and Sparrow

One thing I like about these yarns is their lack of scent. Another yarn I tried recently — Harrisville New England Shetland — I can’t really work with because of its scent, most likely a fragrance added to the wash. Odors are something I fight with on a daily basis because a lot of chemical substances give me instant headaches. I wonder how many knitters choose their yarns based on their odor or lack

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of it. Am I a party of one?

Carrot, anyone?

Paper cut bunny

I'm late, I'm late

Paper rabbit and Alice cut from templates

for a very important date

I promise, I didn’t eat any bunnies

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for Easter this year. In fact, I haven’t done that in ages. I stopped telling people that rabbit is my favorite meat when I got tired of getting the kind of look that is usually reserved to pedophiles. I actually eat a lot less meat than the average American, even though I am not vegetarian, but somehow I often manage to gross out the locals when the topic of food comes up. Yesterday, at a wonderful get-together with some friendly neighbors, someone mentioned fish, so we started comparing notes on what and where to buy. Suddenly I was aware of two pairs of eyes staring in my direction. Uh-oh, what have I said this time? It turns out that I mentioned baking branzino and someone asked what kind of fish it is and in the back and forth of conversation they figured that I bake it whole. It never even crossed my mind that anyone would find that gross. Besides, it’s a lot more flavorful when you bake it whole — no innards or anything like that, just with its head and tail on. It seems that a lot of people find that disgusting or disturbing or both. Something to do with the eyes apparently. I wonder if that is why the few places that sell frogs here actually don’t sell frogs, but only frog legs. Never mind.

Easter bunny

Politically correct bunny

I did get a bunny by the way, but it’s a chocolate one. Nibble nibble…

A man and his scarf

A man and his scarf

Do I really need to wear this?

Riva (Italian for shore, because of the gentle waves in the patterned sections) is finished, and Ben was good enough to model for the camera. This is a good stash buster project that can be knit from small quantities of yarn in different colors, although in my case the yarn wasn’t left over from other projects and I was just playing around with my beloved Holst Garn Supersoft.
Riva wants to roll

Even after blocking, Riva wants to roll.

The edges roll more than I intended so if I were to knit this again, I would keep both outer segments short.
Ben being a good sport for the camera

Ben being a good sport for the camera

I do like how it turned out. Maybe Ben will even wear it for real next winter. :)
The green groove

The green groove

Front and back

Front and back

A peek at the wrong side.
Riva, the stash buster scarf

I can picture this in so many color variations.

Ready to be put away until next year, or until we move somewhere

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The annotated gauge swatch

Annotated gauge swatch

Annotated gauge swatch

My favorite solutions to any kind of problems are usually low-tech. After throwing out dozens of gauge swatches for which I had lost all references, I ran across a simple tip in one of my knitting books — if only I could remember which one. As Woodrow Wilson said: “I not only use all the brains that I have, but all that I can borrow.” The tip was to leave a long tail when casting on for the swatch and then tie as many knots in it as the number of the needle used to knit it. Since I am strictly a metric

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girl, I adapted the system to my needs. I tie a series of knots close to the swatch where each knot stands for 1 mm, then a little further away another set of knots, each of which stands for 0.25 mm. As you can see in the picture above, the 2/2 rib part of the swatch was knit with 3.25 mm needles and the part above the rib with 4 mm needles (click the image for an enlargement). Now my needle size is embedded in the swatches themselves and I don’t have to fiddle with safety pins, labels, and such. The best part is that I can embed the information immediately, before putting the swatch through the wash. What about information other than gauge? I am still working on that.

Gauge swatches

Holst Garn Supersoft worked double with different size needles


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