First draft

It worked. I finished my first draft Friday afternoon and sent the PDF to a couple of friends for feedback. In the meantime I have already spotted a major omission: the yarn quantity. How could I have missed that? I wasn’t sure of the amount of yarn I had used and kept putting off the estimate until I forgot and was reminded only when I started reading the rules of the Free Testers group on Ravelry. In addition to the guidelines for posting, they have many useful pages to help designers write their patterns. But really, to leave out the quantities?

Finding faults with everything

Finding faults with everything

Another thing I have to specify when I post to the group to find testers for my scarf is an estimate of the time it takes to complete the project. Clueless again; I wasn’t keeping track while I was knitting and figuring things out at the same time.

While I wait to hear from my friends I am working on refining the layout for legibility and to reduce the number of pages. The one thing I thought I didn’t need to revise were the charts, and then I read this great post about charts (thanks Bethany!) that is making me think of useful tweaks. At some point I’ll have to stop futzing.

Slipping

When I started writing down the pattern for Riva, the stash-buster scarf, I thought it would take a few days. After all it’s a simple idea; I did not expect it to take too long. But a string of unexpected social engagements, a nasty intestinal bug, some web work from an old client… and here I am two weeks later without a finished pattern. To be honest I did make some progress. In fact I should have a finished first draft tomorrow or Friday and then I will send it off to a couple of friends who will give me honest feedback and, I hope, spot the unavoidable lapses and oversights of the beginner. After that I am thinking of submitting the pattern to the Free Testers group on Ravelry before publication. The only reason I am posting about this is to force myself to keep to a deadline — will the threat of public shame do the trick? Talking about sticking to a plan, I just read a post by Cornflower about how she plans to finish a languishing project by knitting two rounds a day for the next several months. One of her readers commented by offering to sponsor her if she finishes the project (a scarf) by an earlier date, and I thought what a great concept: sponsorship to beat procrastination. Maybe I can convince Ben to take me out to dinner if I finish this tomorrow. Are you reading this, Ben? It might also help to talk about the reasons I am having a hard time getting this pattern out the door. It’s a first. I have to figure out everything for the first time: what to include, what to leave out, how to structure it, how to phrase things, design the layout, get better photographs, chart the

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stitch patterns, make the software do what I want it to, and so on. Even though I worked as a web designer for many years, I’ve never really used Illustrator much and even less InDesign. Most of what I did was in Photoshop and code, so this is new territory and I have to figure out the what and the how at the same time. So I keep finding faults with everything I do: the color doesn’t print out right, the instructions are too verbose, no one will want to do multiple cast-ons (I must be out of my mind!), the design sucks. I shouldn’t be blogging. Back to my layout. Oh, wait, no photos? I can’t bear to post without pictures (what does that say about me?) There. Just to show you that not everybody in this household is a stress ball.

Kelvin and the birds

Kelvin

Pipie and the birds

Pipie

Friends & Goodies

This week I met OlgaJazzy here in Los Angeles where she has been visiting following the earthquake in Japan. Today and tomorrow she is having a trunk show and book signing at Wild Fiber for her book Ori Ami Knits. Olga was the one who sent me an invitation to Ravelry in the very early days, and I am glad that I finally had the chance to meet her in person. It was a fun day and I wish I hadn’t left my camera in the car. Maybe there will be a next time. On other knitterly news, I received some goodies from Quince & Co., a small yarn company in Portland, Maine.

Goodies from Quince & Co.

Goodies from Quince & Co.

I ordered one skein each of three of their yarns — Chickadee, Tern, and Sparrow — plus their color card.
Quince & Co. color card

Quince & Co. color card

Last night I made a few swatches with Chickadee, an all American wool that feels very soft and bouncy, quite a change after knitting for the past few months with Holst Garn Supersoft, which fulls up only after washing. My first swatches surprised me because Chickadee shows every little unevenness and seems a lot less forgiving than the yarns I am used to. It’s possible that I was particularly inconsistent in my knitting and I also let the swatches soak only five minutes instead of the customary half hour, so I have to knit more with this yarn to know for sure how it fares.
Quince & Co. color card

Quince & Co. color card

Tern is a fingering weight yarn, 75% wool and 25% silk, that feels very much like

Chickadee in terms of softness and I would not have guessed the silk content by looking at it and touching it. I’ll try it out this weekend.

Chickadee swatches

Chickadee swatches

Sparrow is an organic linen spun in Italy from linen grown in Belgium. It looks beautiful and I had to get a skein even though I have no project in mind and I know that I don’t enjoy knitting with linen because of its lack of elasticity. What

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Tern and Sparrow

Tern and Sparrow

One thing I like about these yarns is their lack of scent. Another yarn I tried recently — Harrisville New England Shetland — I can’t really work with because of its scent, most likely a fragrance added to the wash. Odors are something I fight with on a daily basis because a lot of chemical substances give me instant headaches. I wonder how many knitters choose their yarns based on their odor or lack

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of it. Am I a party of one?

A man and his scarf

A man and his scarf

Do I really need to wear this?

Riva (Italian for shore, because of the gentle waves in the patterned sections) is finished, and Ben was good enough to model for the camera. This is a good stash buster project that can be knit from small quantities of yarn in different colors, although in my case the yarn wasn’t left over from other projects and I was just playing around with my beloved Holst Garn Supersoft.
Riva wants to roll

Even after blocking, Riva wants to roll.

The edges roll more than I intended so if I were to knit this again, I would keep both outer segments short.
Ben being a good sport for the camera

Ben being a good sport for the camera

I do like how it turned out. Maybe Ben will even wear it for real next winter. :)
The green groove

The green groove

Front and back

Front and back

A peek at the wrong side.
Riva, the stash buster scarf

I can picture this in so many color variations.

Ready to be put away until next year, or until we move somewhere

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The annotated gauge swatch

Annotated gauge swatch

Annotated gauge swatch

My favorite solutions to any kind of problems are usually low-tech. After throwing out dozens of gauge swatches for which I had lost all references, I ran across a simple tip in one of my knitting books — if only I could remember which one. As Woodrow Wilson said: “I not only use all the brains that I have, but all that I can borrow.” The tip was to leave a long tail when casting on for the swatch and then tie as many knots in it as the number of the needle used to knit it. Since I am strictly a metric

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girl, I adapted the system to my needs. I tie a series of knots close to the swatch where each knot stands for 1 mm, then a little further away another set of knots, each of which stands for 0.25 mm. As you can see in the picture above, the 2/2 rib part of the swatch was knit with 3.25 mm needles and the part above the rib with 4 mm needles (click the image for an enlargement). Now my needle size is embedded in the swatches themselves and I don’t have to fiddle with safety pins, labels, and such. The best part is that I can embed the information immediately, before putting the swatch through the wash. What about information other than gauge? I am still working on that.

Gauge swatches

Holst Garn Supersoft worked double with different size needles

Kiri Kari (Estonian knitted toys)

I am sure you’ve already seen several pictures from this book on various blogs, but I can’t help myself ’cause I’m in love. My all time favorite creatures from Kiri Kari are the foxes and the piggies. So now in addition to Japanese and Swedish I need

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to learn Estonian. Good luck with that… at a first glance Estonian looks like encrypted text. After another look, it looks like seriously encrypted text.

Volpine nel bosco

Volpine nel bosco

Aren’t these the most charming sausage foxes you’ve ever seen? volpina
Sole on the line

I've always wanted to hang a sole to dry.

Estonian knitted piggy

The cutest piggy

Estonian knitting patterns

Pages and pages of traditional Estonian knitting patterns.

owl

Owl?

Shaping instructions

Shaping instructions

Estonian kitty puppet

Estonian kitty puppet

Kiri Kari, by Anu Raud and Anu Kotli Published 2010 148 pages Language: Estonian ISBN 978-9985-9964-1-6 Purchased from Krisostomus. It was packaged very carefully and arrived in perfect conditions. This made my day.

Taking stock

Thank you for the comments about Blueprint. The temperature went down significantly on Saturday and Sunday and I actually got to wear it; now it’ll go in the closet until the fall. It was a great self-directed workshop and I learned a lot, so I won’t beat myself up too much about the problems that jump out at me when I look at it and, especially, when I wear it. Some things I was able to troubleshoot; others I put down to experience — that thing you only get after you need it — and I am taking notes and filing for future use. About that, you’ll see some tales of caution in the next few days that I will then organize under the “Knitbits” page (that will appear in the top menu bar) to make them easy to find. I hope that you’ll find something useful in the mix. Among the tips/techniques that

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will show up first are: gauge swatches, color dominance, and grafting. The past few days have been more about taking stock than getting stuff done. For one thing, having finished a project that had sucked all my time for 6+ weeks, I had a bit of post-FO depression, then our house was taken over by construction workers and between that and the usual sleep problems, it’s been impossible for me to focus on anything.

Fixing the wall in the living room

Fixing the wall in the living room

All that shit that fell from the ceiling

All that shit that fell from the ceiling

the old door

The old door opening

the new door opening with an arch

and the new one

While this is going on, I am conducting a census of most of my knitting needles. Over the years I managed to scatter my needles in such a way that occasionally I buy sizes I already have and forget to procure the ones I need.
All my circulars

All my circulars (almost)

I had started to record sizes and length/width in Ravelry, but never quite got the whole job done because the interface does not provide all the sizes I use, and I’d rather keep all my information in one place. The only other thing I am doing now is knit some gauge swatches with Holst Garn Supersoft held double and Harrisville Design Shetland. The Blueprint hat got stalled because of a major goof and the pattern for the pullover is also languishing because now I have ideas for new things and my brain refuses to wrap up the old stuff. Oh, and I’ve been making and eating lots of apple cakes to make the most of

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the last good Pink Ladies.

Blueprint

Blueprint pullover

Blueprint pullover

Blueprint is finished, just in time for what turned out to be our first summer day. I should have known. Blueprint è finito, appena in tempo per la prima giornata estiva. Me lo potevo immaginare.
way too hot

April's Fool gave us a summer day

We went to the Mount Wilson Observatory for a day

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out and I took the opportunity to get some photos. The observatory is in the Angeles Forest, an area devastated by fires a year and a half ago, the signs of which were evident throughout our trip. Charred trees, some black, others silvery or almost white after being stripped of their bark. Conifers reduced to vertical sticks are sprouting new growth on the trunk and resemble giant pipe cleaners. Ieri siamo andati all’osservatorio di Mount Wilson e ne ho approfittato per farmi fare alcune foto da Ben. L’osservatorio si trova nella Angeles Forest, un’area devastata dagli incendi un anno e mezzo fa e che porterà i segni dello scempio ancora per molto tempo. Alberi carbonizzati, alcuni completamente neri, altri argentati o quasi bianchi dopo che hanno perso la corteccia. Abeti ridotti a stecchini con nuovi ciuffi di vegetazione attaccati al tronco sembrano degli scavolini giganti.

giant pipe cleaners

Giant pipe cleaners

dead tree

Still majestic

On the way to Mt. Wilson's observatory

On the way to Mt. Wilson's Observatory

But among the dead trees, new vegetation has already covered most of the mountains. The Angeles Forest is an odd medley of Alpine and desert plants, resin-scented conifers next to yucca plants, cacti and the occasional palm tree. Some desert seeds actually require fire to crack open and start the propagation process, so after a fire it’s not unusual to see an explosion of desert plants. Ma fra gli alberi secchi nuovi arbusti e fiori hanno già ricoperto gran parte delle montagne. La Angeles Forest è uno strano miscuglio di piante alpine e desertiche, conifere resinose accanto alle yucca, i cactus e le palme. Certe piante del deserto richiedono l’azione del fuoco per aprire i semi e favorire la propagazione per cui non è insolito dopo un incendio vedere un’esplosione di piante e fiori.
Yellow among the ruins

A few surprising yellow flowers among the dead trees

purple little flowers

and some purple ones in clusters

But back to Blueprint. Early on in the project, the name blueprint popped into my head and stuck. It may have been because of the colors — sugar paper blue and light gray — but it ended up describing what this sweater has meant for me over the past several weeks. It has become a sort of prototype for the design process while I improvised, frogged, tinked, cut, struggled with the inevitable math of color work and recalcitrant software that will not understand what I want when I build charts and schematics at the computer. Ma tornando alla maglia… Fin dall’inizio ho pensato alla maglia come “blueprint”, forse per i colori — blu carta da zucchero e grigio chiaro — che mi ricordano le cianografie. Poi il termine blueprint ha acquisito un altro significato perchè questo progetto è diventato una specie di prototipo per il mio processo creativo mentre facevo, disfavo, tagliavo e facevo a botte con la matematica inevitabile dei motivi a colori e il software che si rifiuta di capire quello che voglio quando cerco di costruire diagrammi e schemi al computer. At first I charted the motifs and recorded my method just for myself; then decided to write a proper pattern. Who knows, there may be an audience out there of say, at least seven knitters worldwide who would consider knitting a sweater at this gauge. You don’t think so? There is even a group on Ravelry called Tiny Needles. I am feeling optimistic. So that’s what I am doing now: refining the pattern while I work on a hat to match the sweater. All’inizio ho fatto i diagrammi e annotato le varie operazioni per me; poi ho deciso di scrivere un modello come si deve. Chissà, magari c’è qualcun altro disposto a fare una maglia coi ferri a 2.5 mm. No? C’è perfino un gruppo su Ravelry chiamato “Tiny Needles” per gli altri suonati come me. Mi sento ottimista. Quindi il prossimo passo è finire il modello mentre faccio un berretto da abbinare alla maglia.

Please, please, dry.

grafted row, wrong side

The grafted round from the wrong side

It’s done. The sweater that sucked the last six weeks of my life into a void of knitting frenzy has been drying on a rack since last night, first on the right side and now inside out to try to speed things up. I’ve learned a lot in the process and, for the record, I am never again going to graft 340 stitches in the round at 8.5 spi in two colors using wool with tiny barbed wires that cling on for dear life. EVER.

inside out sleeve

8-stitch floats in all the vertical bands.

The heathery hues also made it harder to see what I was doing. Yes, there were problems and I consumed an insane amount of chocolate yesterday.

neck short rows

A bit of short rows in the back of the neck

While I practice my patience today, I may take a break from knitting and run some experiments in the kitchen. How about something non-blue for a change?

The Zen of undoing

I thought I could do it all in one day. Not so.

Prepping for grafting

Prepping for grafting

The prepping alone took a few hours and this afternoon I won’t have time to do the actual grafting as I have a scheduled Italian conversation session with a student. Mañana…

concentration

One stitch at a time

By the way, thank you for all the virtual chocolate and encouragement. :)

Rip, snip, pull, repeat.

I had not expected the undoing to take so long. For someone like me — irritable, impatient, and constantly sleep deprived — this has been a Zen exercise, close to what I imagine meditation must be. I say imagine, because I tried it a few times and never quite got it. Not even enough patience for meditation.

The beginning

I considered mounting the stitches on two circular needles, to keep the sweater flat for grafting, but I was afraid that the needle would get in the way during the ripping operation and also that it would pull the stitches and deform them. So I opted for threading them with contrast yarn.

threading the live stitches

Threading the live stitches with orange yarn.

I accidentally snipped one of the blue threads too close to the work and I’ll have to be careful when weaving in the ends.

Undoing the last few stitches

Undoing the last few stitches

Finally done with separating the two parts of the sweater and counting my stitches.

Counting the stitches

I thought I'd better count my stitches to make sure the top part matches the bottom part.

In between pulling and snipping and keeping the cats at bay (they were very interested), I realized that the actual grafting will not be a straightforward affair because of a few complications:
1) two colors above and below the cut;
2) color changes in the grafting round (those pesky vertical bands);
3) a possible mismatch in the number of stitches that will involve a couple of increases or decreases;
4) the slight offset of loops that I am not sure how to handle at the color changes (the pesky vertical bands again).
But I will worry about that tomorrow afternoon, when I can get started.

I have a feeling that you will get tired of this sweater before it’s even finished.

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